frank nitt (frank n dank) und sepalot (blumentopf) sind fracture! das detroit-m?nchner gespann hat in der vergangenheit bereits mit bravour auf sepalots soloalbum red handed zusammengearbeitet. diese 5-track-ep vereint nun detroit rap, munich disco und miami bass wie keine platte jemals zuvor!

the >captain deutschland serie continues on the vinyl only format and is limited to 300 copies, all hand numbered.
dandy jack is well known for his multiple collaborations. its now about time to lay them down on wax.
the second chapter is a honest, loud and direct ode to the joy of queen bass. if you are searching for deep house and abstract minimal you should better pass your way.
dandy jack teams up with geneva fellows lad and quenum on the a side for what could be described as a tremendous and heavy ride into the catacombs of techno. sonja moonear has a slightly happier and smoother answer on the b side and challenges us with a long and percussive intro that leads into a melancholic twist. quenum and lad arent new to the electronic music and have been active over a decade. they have already been working together for labels like num and thema. sonja is dandys partner in crime as junction sm and ruta5s half head.

murmur return with a brace of killers, their first new material since mean 011s split release with bovill back in 2008. over the course of the half dozen years since beginning their meanwhile imprint, murmurs output has been so sparing, evanescent, and epitomising the labels low-key approach to steppers house music and horizontal techno with an implicit electronic beatdown sound, that acknowledges their pitched down sound, so heavily influenced by their early south african adventures and exploits.

the amiably deranged erdbeerschnitzel, alias the dark side of the meat is called tim keiling, half of whose life has been spent making music. with his self-distributed album pathetik party, dispersed among an inhibited, then startled public in free download grab bags,he demonstrated the lavish, unrestrained use of the musical propeller, drawing on influences from drum&bass, elektro, breakbeat, hip hop, techno, deep house & disco.

2004 release by michael gray aka one half of full intention, remixed by nic fanciulli.

the martinez/mesteo remix of the club classic >under the water< is the first leg in a series of remixes to be patiently released throughout 2010 - initiated by one half of the original brother brown outfit, atle, now operating under the moniker one brother. the martinez/mesteno mix has only been sent to a carefully selected handful of friends and family around the world (less than 15 movers and shakers). simply to see if we can give this mix the longestpossible and well deserved (we think anyway) run for itsmoney. please do enjoy!

vinyl only! first at decks.de! incl great remixes by andreass henneberg, also one half of the glitz (voltage musique, hertzblut, ideal audio) and ray kajioka (kanzleramt, television, rotation, müller)

can we do more? we are very happy to welcome back one of the guys that started it all with us in the late 90s and after some time away working on other forms of music lance desardi is back with us in full force! releasing with seasons recordings in the late 90s working under the artist name lance nuance with projects >leaving the city< & >pieces unfold<. also working along side his long time friend jt donaldson as they worked under undercover agency and released an lp titled >paper love< on the seasons recordings imprint. ld is back and get ready for this single to break dance floors in half!
enjoy the music and remember to play it loud!

truth, undoubtedly new zealands greatest dubstep export, have been making a huge impact around the world with their heavy bassline riddims. truth have a style that defies categorization, encompassing an array of melodies, vocals and spacious beats that range from half-step stompers to the deeper profound realms of sound, all with one common element which underpins every track, a heavy bassline riddim that lays sheer force on any system heavy enough to handle it. the badboys of new zealand dubstep team up for their first single on argon records. bombay sapphire takes you on a trip through bass, while worlds apart flips the script for a jazzy dubstep experience. two incredible tunes, one essential argon single.

engine music is delighted to present this next release from german wunder-trio, triad. comprised of henree with releases on soul:r and c.i.a under his belt, bastikal, headhoncho of the much respected phunkfiction label and l flow a classically trained musician and avid analogue synth collector. as triad they belong to the new breed of producers, reexamining the conventions and reinvigorating the experimentation in the dnb genre which has been lacking unitl late. two slices of mature, open minded dnb with spellbound on the a side. a subdued, bass heavy stepper with a naughty bassline switch up. fortune on the flip is a little half tempo number with dubbed out samples and a sultry bassline. or as we like to call it: a slow grinder. fans of the current autonomic sound should not sleep on this! dj support from goldie, teebee, calyx, lenzman and flight amongst others.

phonica records limited offshoot returns with a second 12 inch from the man that kickstarted the label iori. the okinawan producer, whose >galaxy / urge< 12 inch won praise from across the board, has been working prolifically and this is only a brief glimpse of things to come. first up is >spatiotemporal< - a ten and a half techno odyssey towards the deeper echelons of the genre. starting off as a simple drum attern, >spatiotemporal< slowly but steadily builds up, with iori bringing layer after layer of synths proper mid-paced cosmic techno!! its definitely one of those tracks that need to be left to do their work preferably on a loud soundsystem! on the flip, weve secured the remix talents of one of the hottest names in techno at the moment. all the way from cold sweden, skudge have made quite a name for themselves in the last year, with solid releases on their own imprint. their remix of >grit< more than exceeded our expectations. its a masterpiece of stripped down techno that brings to the fore all the parts we like from the original, while taking it in a completely different direction. special artwork by pedro carvalho de almeida.

supported and played by mark henning, laurent garnier, dubfire, slam, fra, luciano, karotte, chloee, acid pauli, mike callander, deetron, animaltek, 2000 and one, dj t., michael reinboth, dj hell, jack rock and butane. >careless< is a beautiful house track, which gets a great pop music turn in the second half. >m92 sternhauven< amazes with a soulful >for every man theres a woman<- vocal on a kicking techno beat

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

for this 10th wph release we looked towards belgiums finest raoul lambert aka raoul belmans aka one half of swirl people to follow up on his splendid wph blue b-side track 3 seconds released late 2009. raoul quickly sent us cinnamon dreams, the result of a long valencia-session with friend and fellow producer nacho marco, during which they apparently ate the whole spanish supply of belgian speculoospasta, a specialty that cannot be translated in english, but it contains cinnamon, hence the name of the track and the ep

a major global player in all things futuristic disco prins thomas internasjonal imprint is further branching out and diversifying with its brand new spanking series internasjonal spesial. the a-side sees the proven and tested multi-national team of reykjavik born holmar filipson of thugfucker and crack & speed fame and ny party veteran ulysees ( one half of neurotic drum band ) pushing the agenda of joining the dots globally with the soon-to-be-classic emotive eletronic disco cut escape from new york . starting out as a leisurely paced electro boogie cut with sentimental string chords, additional e-guitar loops and haunting synth noises leak in a dark 80 s pop sensibility a la my bloody valentine. also the b-side by valentinoland - holmar filipsson partnering this time with arni runar hlodversson of fm belfast fame - is nothing short of truely exceptional but more on the dulcet side with a gut-wrenching string-lead melody in classic balearic sunset style.

after two amazing releases from jamie james and robert james, fellow label owner lee foss serves up the third hot platter. lee is one half of hot natured along with jamie jones and has previous releases on wolf + lamb and culprit. this latest release under his moniker is pure psychedelic summer disco fun! ‘u got me’ is a great four track e.p. featuring quintessential tracks tried and tested and firm favorites at the recent hot natured parties at demf, sonar and ibiza.

known for his techno sounds as half of polder, his solo productions soar between hypnotic deep house and techno. we reckon p stands for partytime!

double standard is a beacon of quality that is quickly carving out a niche for friendly, accessible and striking music for listeners from all walks of life and kickstarting a new vinyl revolution. soul clap are the boston based duo who are steadily infecting the globe with a new strain of e-funk through releases on wolf + lamb, crosstown rebels, culprit and an assault on some of the best danceoors worldwide. gadi mizrahi is one half of the musical partnership wolf + lamb that has created a unique and much admired family of creative activity.

kid cultures sound can be described as electronic soulmusic with passion. he is one of the most exciting prospects to emerge from amsterdam fertile scene. after his latest release on catwash this ep contains 3 original groovy tracks plus a cool remix from giomini (half of abnormal boyz) and toolman (aka francesco grant). enjoy!

half-swedish/half british artist leif is based in the uk. in the past few years, leif has forged a reputation within the underground scene for his trademark sound - a blend of minimal house that encompasses elements of deep dubby tech-house, bleepy minimalism, delicate chord soundscapes and enough chicago-house style shuffle to to keep the dancefloor moving. it is a fantastically rounded ep that pleases fans from all corners of the house world with the uk sounds of the original, azuniÆs twinkle of the eye of 90s us, and a raise of the eyebrow from the tech-jazz of sheÆs kooky.

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

mark seven is a secret weapon of nu disco or balearic house scene.his last single on twelve inches of delight was highly recommended and he was invited to al usher (half of partial arts)s hit track >lullaby for robert< as a remixer. >swept away< is an old school piano house track. its simple but effective, timeless stuff and >pillow talk< is 80s style electric boogie.

chicagos specter (tetrode music) is welcomed into the sistrum family with the bionic being ep, featuring three cuts of raw depth. tip

after the big debut album >its all about antagonism< which was supported by names like stephan bodzin, markus kavka, steve lawler, the advent, monoroom and many many more, comes the next episode from danjel esperanzas musically diary on backdoor beauty.
support by: tony rohr, paco osuna, chris liebing, terry lee brown junior, franco bianco, anthony collins, mike wall, andy kohlmann, andre kronert, sebastian roya, danilo schneider, liz cirelli, half stereo, dj misk, chris fortier, richie hawtin, someone else, electric indigo, dj taucher, black vel ...

massive release from deep teknologies t.williams thats been getting major play from kode9, ramadanman and marcus nasty. run in association with londons phonica records comes a new label from the capital, local action. its first release takes the form of the debut ep by t. williams, one half of the immensely talented uk house duo deep teknologi. a stable that works closely with cooly g, ma1, ben westbeech and more, deep teknologis sound is unique and modern, but steeped in house tradition.

double standard second vinyl only delivery is the debut release from one half of no regular play, greg paulus, with a sumptuous selection of wholesome music. quickly building a reputation for well-made, somewhat obscure but always rewarding music, double standard introduces another member of the family in greg paulus. the five tracks on this vinyl only release are blended with a warm and natural touch, with gregs own vocals and live trumpet on each. aimed away from the dancefloor, this is music for relaxing, contemplating and inspiring. greg introduces his debut solo release with the rhythm and blues feel of title track >whats mine is yours<, before drifting through to the undulating tones of >part of me<, compete with a breakdown that cracks into dark rave synths before returning to its original blissful state.

coming from the heart of bosnia, solomun is a passionate dj who certainly knows how to please a crowd and keep the energy on the floor. equally as talented and creative in the studio, he has many releases to his name on his own label diynamic, as well as other imprints such as four:twenty, liebe*detail and dessous recordings. made for the dancefloor, his productions always have an element of funk or surprise, reminding people of the fun thats there to be had with music. as a label with many close ties to mobilee records, diynamic will be co-hosting a party at mobilees sonar 2010 celebrations, which makes it even more fitting that this release brings the two forces more closely together. solomuns next big bang, being brought to you via leena music, is a sure extension of his impeccable production skills and style, and is also one of the most unique releases you will here on the label so far. a-side >sisi< opens with a head-spinning explosion of notes and chords, being fired out like sparks in a continual loop. then half way through the record, they dramatically stop, only to soon build up again and set the roller coaster off once more. b-side >talk to the hand< is a bass-heavy and punchy track, that surprises you with euphoric piano chords in the second half, whilst b2 >curesto< brings all of the elements together with piano chords, build-ups and some drama. enjoy!

the third release from one records, comes from one half of the backbone to the project, subb-an, one the uks finest young talents who delivers an anthemic package with >soul skool<. >soul skool< is unapologetically gripping, opening with moody atmospheric keys before settling into an iconic bassline, and teasing with the vintage sounds of early house vocals and rasping brass instruments. this is the distinctly vivacious sound of subb-an, matched with an equally alluring shaun reeves remix.

mowars 6th release is delivered by label boss franco cangelli, 2 solid deep techno cuts accompanied by an exquisite mlz treatment. >paper cut< is a smooth and hypnotizing dubbed out techno track for the deeper dancefloor moments. stripped down and most efficient, paper cuts intoxicating dreamy pad sucks you in from the start and gets you hooked on the dubby chords and an addictive bassline. simplicity and solid deepness!
>when they come< on the other hand is a darker affair with ominous pads and fierce kickdrums backed up by deep basses and funky schizoid sounds. dark detroitish techno for brainwashed dancefloors. mlz (half of pendle coven), turns paper cut into a darker cut. dark acidic basslines, a pinch of robert hood mixed with the deep dubby side of the original. very captivating until the very end of the track. another strong mowar cut!

marius mevold aka mindflow is 25 and hails from trondheim in norway. his nsd debut was picked up early by 1xtras mistajam and when you hear it you?ll soon see why. mindflow has created an absolute monster of a dubstep track thats so catchy even your mum will be dancing her socks off to it: fact. switched has all the elements of a festival anthem, lush old-skool piano chords, soaring diva vocal cuts and huge sub bass wobbles that will shake any summer sound system. just when you think it cant get any better, the half time dubstep beat switches into rolling uk funky vibes. really and truly, this tune is a beast and has already had huge club and radio support from mistajam (6 weeks running on his 1xtra show!) as well as annie mac, kissy sell out, scratch perverts, oneman and caspa. of course a never say die release wouldnt be complete without killer remixes and this one is no exception. d&b men of the moment and remixers extraordinaire, dc breaks, have taken switched to new lofty heights with their super production skills. in line with the old skool vibe of the original, the crisp beats and breaks underpin an awesome sub driven roller that is sure to be on heavy rotation for the summer. dj support: anne savage, cut la roc, excision, far too loud, flux pavilion, freq nasty, futurebound, general midi, high rankin, jaguar skills, kid kenobi, pendulum, reset!, rico tubbs, riskotheque, starkey and more

h-productions has cultivated a reputation over the last two decades for consistently delivering cutting edge material across a diverse range of styles.
the titling for the second single taken from cari lekebuschs forthcoming album >state of the art<, continues in the horror tinged theme opening with the epic >bodysnatcher<, a nine and a half minute odyssey into the outer realms of rolling, glitchy techno. tight percussion and deep end bass set the tone for a fervent mix of resonant and modulated riffs and fx, exquisitely produced and deftly mixed this is another great example of lekebusch at his best.
the flipside of this release brings us the excellent >shivering<, a heady blend of oscillating bass and relentless synth lines over minimal drum patterns that has you hooked from the off. this is a big record that is bound to find favour with techno jocks and house djs alike with its perfect balance of dark and light.

jamie jones / half inch jack -the return of the legendary back to basics imprint is indeed a menacing affair, with an original track from residents woodall & buckley and remixes from the irrepressible jamie jones and legendary chris duckenfield under his acid guise the >half inch jack<. the original track is named kitch n sync, and is a blistering seven minutes of menacing acid house futurism. an opening salvo of storming rhythms and vocal stabs gives way to a blistering acid bass line and crisp drum production.

super strong release no. 2 on topmodel from one half of the legendary martini bros, mr. mike vamp, incl. versatile remixes by piemont and alex flatner.
big with: anderson noise, daniel sanchez, paco osuna, mikael stavöstrand, cari lekebusch, ahmet sisman, italoboyz, pig & dan, johannes heil, alejandro vivanco, mr. statik, tim thaler, lula circus, ali kuru, franco cazzola, joseph capriati

marcus price & carli have been leading djs in the swedish electronic scene for almost 10 years. both accomplished producers - carli is one half of savage skulls (dubsided) and one half of stay gold (magnatron) - while marcus price, also known as basutbudet, produced the infamous rapper mapei s debut release. he is also a member of the noted hip hop group fattaru, who reached the uppermost echelons of musical success in scandinavia in the early 00 s.

here we have a double a-side 12-inch, with an intriguing new development of the secondo sound. still banging, still aimed at the club but with a sense of maturity and laid-backness, that the previous secondo material for dreck records might not have been centred around. the whole outlook has become more house orientated and we are very excited about this new mixture of the secondo splice-funk with the steadiness of early 90s house generating its own idiosyncratic sound. on the a-side, i think im gonna likeestablishes the housey mood of the 12straight off. a brief vocal sample is dotted over a relaxed rhythm until a break mid-track introduces the second half to its full extent and bloom. ædoktor panglosson the b-side continues with the mid-tempo flavour set out by the aside and is defined by a steady build up towards a disco sample beautifully placed towards the end of the track, where a heavy bass line cuts short the euphoria of disco strings. the sampling and references in both tracks have been pushed to the background and mentioning any of them would not do this exciting new material any justice. its all fresh!

limited 2010 repress in blue coloured vinyl !!! incredible techno record, quo vadis, el jem and sparticus was made in 1994/95, and released in 95/96. you can feel the influences of classic maurizio and dbx here. already one half of lfo, gez varley definitely proves with this record that he can be a genius... ltd backstock

the droids beamed down to planet earth in the year 1978. yves hayat aka droids, was a young label manager at the seminal french disco label barclay in the seventies. >star peace<, originally released in 1979 is his concept to the classic sci fi movie >star wars< out that year. featuring the french space synth classic >(do you have) the force<, in both parts, this lp goes from strength to strength with spaced out lullabys >inner space< & >tchough fou<, before kicking back into the groove with >be happy< an assault to the senses with its manic synth lines running riot over heavy funk overtones. the flip kicks off with >shanti dance< parts 1 & 2, sleezy robot-funk work outs that are inter-joined to make a 6 minute continually evolving piece of music. the closing eight-and-a-half- minute >renaissance de l amour< is a tour de force of cinematic synthscapes, bleeps, bloops and world rhythms, before dropping in the drums 6 minutes in to ignite any dancefloor. this is light years ahead of its time.

bovie and rox have been blazing a trail at strictly rhythm with their own productions >stop playing with my mind< and >love me< as well as a superb remix of south st players classic >(who?) keeps changing your mind<. for this second bite of >love me we have handed the precious parts to atfc, who continues a rich vein of form with a clubbed up soultek vocal mix and a tough, trademark lektrotek dub.

big with karotte, len faki, paco osuna, gregor tresher, hugo, laurent garnier and many more! amam is the new label from bright young italian producer alessio mereu, who has already made a name for himself releasing on labels like contexterrior, cmyk and toys for boys. while amams first release found alessio going solo, this time hes half the duo of pet soul boys alongside barcelona-based coyu -- you might have heard his productions and remixes that have appeared on diynamic, 2020 vision, liebe detail and saved. the debut psb single from earlier this year, >calypso soul< on hypnotone, was played by the likes of paul woolford, nick curly and italoboyz. not so bad for a couple of guys in their early 20s!

2010 repress !! clear vinyl!! incredible techno record, quo vadis, el jem and sparticus was made in 1994/95, and released in 95/96. you can feel the influences of classic maurizio and dbx here. already one half of lfo, gez varley definitely proves with this record that he can be a genius... ltd clear vinyl

bron, a mysterious giant from the plains of canadas sub arctic region, comes out of nowhere with danksouls second release great white north. brons debut record is a truly northern take on the infectious grooves of micro house. the title track, great white north, is a jacked-up home grown classic that has been garnering a cult-like following in canada since its inception a couple years back. french avant-garde house producer le k provides a heavy handed remix, which will surely occupy a permanent space in record boxes and play lists across the globe. bron polishes off this ep with the bouncy beats and bass of splash back, followed by the soulful space hop of postcards from the prairies

frabon 04 support and play: richie hawtin - dubfire - paco osuna - tom novy - renato cohen - toni moreno - gel abril - el mundo & satori - mirco violi - mihai popoviciu - kiko martinez - edgar de ramon - neurotron - the glitz - rolando - someone else - greg delon - dj misk - moritz piske - yaya - agent! - ataneus - ben anders - lars wickinger - sebastian russell - larsen & marano - oliver markreich - toni d - arado - marco faraone - steve parry - molisans brothers - dan drastic - jorge savoretti - carlo lio - joy kitikonti - tim green - marco effe - markus homm - gino s - ken ishii - summed & dot - dj pierce - hanne & lore - half stereo

black van brings together the talents and vision of two well-known electronic producers: kris menace, whose discopolis and other releases obtained dancefloor ubiquity, and who has remixed a list of notable names, including depeche mode, royksopp, air, underworld and lcd soundsystem, and kowesix, one half of the >all-night-dance-party< dj duo moonbootica, whose own remix credits include such diverse names as mando diao, junkie xl and adam freeland.

double standard records, the next chapter for gadi mizrahi (founder and one half of the visionary wolf + lamb project), is a vinyl only odyssey into revolutionary body-moving music. >wolf + lamb is a religion, double standard is a cult< gadi mizrahi, 2010. wolf + lamb is the label, production & dj partnership and series of events that has lately become the eye of the storm of the underground dance music scene. this year the w+l duo will be taking a break to focus on new adventures and the label will be on hiatus. while zev (wolf) takes some time in far corners of the world, gadi mizrahi (lamb) has been concocting some captivating solo material – check his spectral sound and simple releases out in march – and is proud to announce his own double standard records, a vinyl only imprint exploring new horizons of dancefloor music, pushing forward in quality and pursuing greater attention to detail.

nice price deal !!! a rolling bassline kick that glides trough snapping and chopped up vocals makes this track a certain floor filler. and when half way trough you hear the latino guitar riff slice its way in, you can just wait until it hits off.giving the track power and funk! and incredibile mix of latino funk and straight on 4/ house. on b side you can find an eclectic remix of stoned chicken, who brings out a more samba feel also by dubbing down the guitar, a gradual build up track.

>esta si esta no< by the glimmers featuring baby g. is a cover version of one of the biggest euro rave anthems from the early nineties originally written and performed by spanish superstar dj chimo bayo. beautiful baby g (from lsb fame on eskimo recordings) took the vocals for her part whilst half of the glimmers house band disko drunkards are playing the instruments on this quite original adaptation. this release features three remixes. glimmers favorite german fella daniel haaksman (from berlin based man recordings) goes favella funk style with a very catchy sax hook and the amazing in flagranti is doing with the track what they can do best, making it very synthy disco sexy.. they deliver a vocal and an instrumental version.

we lost track of rocco branco nearly 5 years ago. no >goodbye<, nothing, he simply vanished off the grid. a few days ago, mr. branco staggered into the hirsch camp, smelling of sex and jaegermeister, no explanation. no apologies. rocco simply handed over two tracks, turned around, and walked away... diamant captures the sex of a one-night stand. a metaphysical launch pad of selfindulgence. no compromises, purely physical, firm and purposeful – precisely how we like our techno. gibbon depicts sex with a lover – reminiscent of gratifications past. familiar, nubile and polished a mastered motion of lustful appetite. in roccos return, we find a record of lifes carnal moments. good hunting!

nottinghams wigflex camp returns to wax with another implausible display of style, forsaking their 4 track sampler style for a double header on platter number three. featuring one half of the duo behind the blossoming blunted robots label, shortstuff, and previous wigflex contributor, and the only artist to appear on all of the labels releases to date, taylor, the longer 12 inch format lends itself beautifully to the producers who both get the chance to build tracks that exceed the 7 minute mark.